Thời trang trong phim của Vương Gia Vệ: bức tranh Hong Kong cuối thế kỷ 20
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The cinematic thinking of the director surnamed Vuong is not only reflected in the camera angles, colors, scene composition, but also in the character’s fashion style in the film.
Wong Kar-wai is the leading director of Hong Kong cinema with films that have been classified as Asian classics. Compared to his era, director Wang’s films have many groundbreaking experiments, from images, character building to composition, camera angles, and fashion style in his films also have a color. The color clearly shows the spirit of the Vuong family – a Hong Kong of the late 20th century.
In the context of Hong Kong at the end of the 20th century, love stories without beginning and end, characters with different personalities, blurred scenes, revolving in the typical neon tones of Asia, are The first impression people come to when thinking about the movie Wong Kar-wai.
Despite making many films throughout his career, Wong Kar-wai has always kept a constant stream of inspiration throughout. Some familiar actors appear again and again in his films. The markets, the stairs, the alleys, the familiar restaurants. And in those repeating contexts, many new stories take place, overlapping each other.
In the movie Wong Kar-wai, costume is also a form of language, it fully describes the context of a Hong Kong in the last decades of the 20th century, where classical and modern values begin to intertwine.
In general, the fashion in the film Vuong Gia Ve is not too picky, because most of the characters in his film are working and simple individuals. But it is that simple outfit that is suitable for the movie scene, the aesthetic cinematic spirit of Wong Kar-wai, many clothes are still applicable to this day. Under the direction of director Vuong, the image of young Asians is portrayed from the simplest combinations.